Where Did Robinson Crusoe Go
With Friday On Saturday Night?
Thu, Aug 5, 2:00 - 3:15 pm
Jaqua Concert Hall, The Shedd Institute
When Cole Porter's erudite gangsters advise every young man to "Brush up your Shakespeare...and the women you will wow!" it's, of course, really funny. I mean really: hit men quoting Julius Caesar to some molls at a cocktail party? But like every good joke this one too had more than a little truth, especially for the New York social set Porter and his contemporaries counted on to be in their audiences. In the golden age of the American Songbook it was more or less the case that "The girls today in society go for classical poetry."
So to win their hearts one must quote with ease
Aeschylus and Euripides.
One must know Homer, and believe me, Beau
Sophocles, also Sappho-ho.
Unless you know Shelley and Keats and Pope
Dainty Debbies will call you a dope.
Of course, Cole Porter represented the essence of American letters, matched only by Lorenz Hart in his easy comfort with highly literate wit. But in truth, in those days "being cultured" was something generally aspired to and the purveyors of popular song of every ilk--from the clicky-clack of Tin Pan Alley to the sophisticated word play of Broadway to the necessarily blander fare of Hollywood--could rely on their audiences knowing a whole lot of literature, history and just a lot about everything. And so they could and did write what one might call "culture-laden" songs. Usually pretty funny songs that achieve their effect by turning culture on its ear. But that just proves the point: its hard to get your audience to laugh when you make fun of Cleopatra if they have no idea who Cleopatra was; and as commercial songwriters, Porter, Hart and all the rest weren't about to lay out a song that their audiences weren't going to get!
For this afternoon's concert Ian Whitcomb offers up a great collection of these "cultured pearls" from Tin Pan Alley, Broadway and Hollywood that take as their subject classics from every childhood textbook. From Shakespearean characters like Hamlet, Macbeth and Romeo and Juliet, to literary staples like Robinson Crusoe, The Three Musketeers, Huckleberry Finn, Jack and The Beanstalk, Rip Van Winkle and Little Red Riding Hood, to all kinds of historic figures (King Solomon, Samson & Delilah, Cleopatra, Christopher Columbus and Queen Elizabeth...it should be a humorous--and highly educational--afternoon!
Event Personnel
Ian Whitcomb, director, vocals, ukulele
Michael Stone, vocals
Nathan Waddell, bass
PROGRAM
 Where Did Robinson Crusoe Go With Friday on Saturday Night(1916)
    - introduced in Robinson Crusoe, Jr.
J. Young/S. Lewis (w), G. Meyer (m)
 The Night i Appeared As Macbeth(1922)W. Hargreaves (w/m)
 Hamlet Was A Melancholy Dane(1903)
    - introduced in Mr. Bluebeard
W. Jerome (w), J. Schwartz (m)
 Huckleberry Finn(1917)J. Young/S. Lewis/C. Hess (w/m)
 Cleopatterer(1917)
    - introduced in Leave It To Jane
P. Wodehouse (w), J. Kern (m)
 Who Was King Solomon's Favorite Wife(1919)
    - introduced in Ziegfeld Follies of 1919
I. Berlin (w), I. Whitcomb (m)
 Queen Elizabeth(1926)
    - introduced in The Garrick Gaieties of 1926
L. Hart (w), R. Rodgers (m)
 How Could Red Riding Hood?(1926)A. Randolph (w/m)
 Sam And Delilah(1930)
    - introduced in Girl Crazy
I. Gershwin (w), G. Gershwin (m)
 Christopher Columbus(1936)A. Razaf (w), C. Berry (m)
 Hamlet(1949)
    - introduced in Red, Hot And Blue
F. Loesser (w/m)
 Brush Up Your Shakespeare (1948)
    - introduced in Kiss Me, Kate
C. Porter (w/m)
 Quartet Erotica(1934)
    - introduced in Life Begins At 8:40
I. Gershwin/Y. Harburg (w), H. Arlen (m)
Featured composers, lyricists, creators
Harold Arlen
Irving Berlin
Chu Berry
George Gershwin
Ira Gershwin
Yip Harburg
William Hargreaves
Lorenz Hart
Cliff Hess
William Jerome
Jerome Kern
Sam Lewis
Frank Loesser
George Meyer
Cole Porter
A. P. Randolph
Andy Razaf
Richard Rodgers
Jean Schwartz
Ian Whitcomb
P G Wodehouse
Joe Young
Ticket/Venue Info
Where Did Robinson Crusoe Go Ticket Prices
Seat LvlFull PriceDiscount Prices
15%  20%  25%  Youth 
AA28.00  24.00  22.50  21.00  14.00 
A24.00  20.50  19.25  18.00  12.00 
B20.00  17.00  16.00  15.00  10.00 
O16.00  13.75  13.00  12.00  8.00 
Jaqua Concert Hall
The John G. Shedd Institute for the Arts
285 E Broadway
Eugene, Oregon
541-434-7000
Purchase tickets at:
1. The Shedd Ticket Office
541.434.7000
2. The Hult Ticket Office
541.682.5000
OFAM 2010 Schedule
Friday Jul 23
7:30 pmThe Boys From Syracuse
Saturday Jul 24
7:30 pmThe Boys From Syracuse
Wednesday Jul 28
8:00 pmSwingin' The Dream
Thursday Jul 29
2:00 pmWhy Can't You Behave?
8:00 pmMan Bites Dog
Friday Jul 30
2:00 pmThe Rain In Spain
7:30 pmThe Boys From Syracuse
7:30 pmKiss Me, Kate
Saturday Jul 31
2:00 pmKiss Me, Kate
8:00 pmSuch Sweet Thunder
Sunday Aug 1
2:00 pmThe Boys From Syracuse
Wednesday Aug 4
7:30 pmKiss Me, Kate
Thursday Aug 5
2:00 pmWhere Did Robinson Crusoe Go
8:00 pmWhen You Wish Upon A Star
Friday Aug 6
2:00 pmSomewhere
7:30 pmThe Boys From Syracuse
7:30 pmKiss Me, Kate
Saturday Aug 7
2:00 pmThe Boys From Syracuse
8:00 pmI Could Write A Book
The John G. Shedd Institute for the Arts
E. Broadway & High Street, Eugene | PO Box 1497, Eugene OR 97440-1497 | Phone 541.687.6526 | Tickets: 541.434.7000 | Email: info@theshedd.net
Copyright © 1991-2012 The John G. Shedd Institute for the Arts. All rights reserved.
Shedd Institute Reviews